Jul 4

By Eden Chia

If you want to be a more effective song writer, there are some things that you will have to bear in mind when you are writing songs. You definitely do not want to make any terrible mistakes as it will take out a lot of your time and effort. Here are the 3 things that you have to consider when you are writing songs.

1) Be Aware Of Your Target Audience

This is the first thing that you must do as you will want to identify the group of people that you are targeting. If you are writing a song for old people, you will want to make sure that you have a song that will communicates in a way that they can understand your message. There is a saying “The Simplest Things Works”. You do not have to over complicate the whole process as simple song might be better.

2) Be In A Environment Where You Will Have Inspiration

You will want to identify the environment that will trigger your inspiration and you will be creative. For example, if you feel that you get the most inspiration during the night, you will want to make sure that you have a good environment around you so that you can be creative. Do make some effort to identify the best time and places where you get the most inspiration and you will be surprised by the creativity that comes from you.

3) Do Not Be A Perfectionist

The biggest mistake that people make is being a perfectionist. If you are going to keep on going through the process of creating the song, nobody other than you will be able to listen to your song. If you feel that your song is 85% ready, you can try to ask for opinions from your friends or even to the major video directories where you can get valuable feedback. This will greatly helps to improve your songs better.

Here are the 3 things that you will have to consider when you are writing songs. Do follow it through, closely, and you will be able to write good songs fast and effectively.

And now I would like to offer you more free song writing tips and resources from http://www.SongWritingCenter.com

From Eden Chia who provides valuable song writing information from http://www.SongWritingCenter.com

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Jul 2

By Kyle Hoffman

Blink 182’s best songs have always been the simplest ones. They’re the best because they envelope simplicity and memorable characteristics that comes easy to Blink 182.

So what’s the best way to go about writing songs that could compete with Blink 182’s? Read these 7 songwriting tips to learn how you can create simple tunes that could possibly best Blink 182.

1. Create chord progressions of four chords or less.

If you’re looking to create simple songs, there is no need to come up with complicated chord progressions to be the best. Blink 182 based their whole career on simple progressions that contained only three or four chords at a time. Try turning your best songs into progressions of only three or four chords.

2. Use standard rhythms like constant eighth notes or quarter notes.

One of Blink 182’s best songs is “All the Small Things.” Notice how most of the song is strummed in either quarter notes or eighth notes. Remember, it isn’t necessary to be overly intricate if your songs truly rock.

3. Keep your songs tied to one emotion.

Think of a simple emotion like being happy, sad, or angry. The best songs tend to create interest in listeners that are feeling the same emotions as the song they’re hearing.

4. Try a single instrument like acoustic guitar.

If you’re constantly playing with a full band like Blink 182, maybe you need to find the best songs by yourself. Try picking up an acoustic guitar or keyboard and fiddling around with very simple melodies. Maybe something will shine through.

5. Use simple song subjects.

The best songs have subjects that are easy to relate to. Your listener wants to have a personal experience when listening to your song. Create your songs about personal problems, life experiences, or anything else that seems to be common among the majority of people.

6. Pick a key to play that is easiest for you.

Blink 182 has played songs in quite a few keys but eventually, they gravitated towards only a few. If one key helps you sing better or play better than another, use it. The best songs are going to be easiest for the composer to play and create.

7. Have your song consist of only a few different sections.

Sure, you could create a truly unique set of chords and rhythms for each section, but for the best songs, that isn’t necessary. Stick to only two or three sections to your song and you’ll find writing is easier and quicker.

The best songs by Blink 182 are not complicated. These songs are just the best at connecting with listeners. Put these 7 songwriting tips into effect and I hope that you can create some of the best songs people have ever heard.

Hi, my name is Kyle and I’m a singer/songwriter that thoroughly enjoys a good band like Blink 182. For more great songwriting tips visit Always 182 and for anything about Blink 182 visit 182 The Small Things

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Jun 29

By Joseph A. Russ

If a songwriter wants to create a song that hopefully, will be recorded on an artist’s CD so he can make money from it, he knows he must arrange it in a structure that makes sense to the artist and eventually listeners. He doesn’t need to Invent a structure for his new creation, he just needs to choose from several existing structures. He knows whichever form he chooses, his song will probably have an intro, 2 or 3 verses, several choruses, maybe a bridge, and/or an instrumental section and an ending.

The verse is the vehicle for conveying the story that is the song. Its major responsibility is to lyrically and musically, “set up” (or lead to) the chorus. The chorus is the central idea of the song and the verse is the “information” about the main idea. The second verse is more information about the main idea, information that should lead the listener to the conclusion

Each line of each verse should move the story along without repeating the same information. The melody should be essentially the same from verse to verse to create familiarity. A melody that stays relatively the same makes the listener feel comfortable and this comfortable feeling allows them to listen closely to the lyrics and follow the story. A repeating melody is easier for the listener to remember. After they hear it a few times, even if they are not trying to remember it, they probably will.

The chorus contains the “nut” of the song, the central meaning, the essence of the story. Choruses like “I Can Love You Like That,” “Old Time Rock and Roll” or “The Wind Beneath My Wings” are memorable choruses. The “hook,” the catchiest, most memorable part of the song is most of the time in the chorus. Songs can have other hooks, but the main one is usually the chorus. Verses normally concentrate on details, while the chorus makes a broader statement that bears more repetition. The melody of the chorus repeats each time we hear it. The song’s title is usually contained in the first and/or last line, and possibly more. The lyric and melody are usually the same each time.

The bridge relieves the “boredom factor.” It is usually placed about 2/3 of the way into the song. (After the second chorus in a verse/chorus form) That’s normally when people may begin to tire of the song and need a break of some type. The bridge wakes the listener up and helps them to refocus on the song, and can add new story lines. The bridge can also be a guitar, piano or other instrument solo. This is the chance to introduce a new melody to keep things interesting.

Hooks are also important in a song. A hook is any part of the song that “hooks” the listener causing them to remember parts of the song. Many times the title or chorus is a hook. A hook can also be a clever lyric, a good vocal part, even a sound or effect added by an engineer in the final mix.

The form or structure of a song is critical to it’s success. Make sure you understand song form before you begin writing your masterpieces.

Joe Russ is a musician, songwriter and Internet Marketer. He provides free informational articles and websites on songwriting, playing guitar, bass, piano, music theory and Nashville Music Careers. Read his article on Song Structure and learn to write songs the way the pros do it.

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Jun 25

You will so often hear someone say that they are unable to write due to a mysterious phenomena known as writer’s block.  The term can be explored in this way and the meaning clarified.

“I have writer’s block and I’m stuck.  I can’t get anywhere.”  You might have made this or a similar statement to yourself, and you’re bound to have heard this remark from others.  What exactly is writer’s block anyway?  A mental condition or medical disability it is not.  Chances are if you experience something you might call writer’s block, there is something bigger going on.

Writer’s block is often your bodies way of simply expressing fear or anxiety over your writing.~Writer’s block is frequently the body’s method of expressing fear or anxiety about writing. ~Fear

Fear and/or anxiety may be expressed by your body by developing writer’s block.  Pose the question to yourself of whether you are ill at ease with the subject and the reason.  Scrutinize any ill feelings you might have about fear of judgment or being laughed at or sensing inadequacy.  Perhaps more hidden or meaningful psychic content is erupting as you attempt to come to terms with it through your work.  Odds are high that, once you step back long enough to observe your own feelings in flux, you will see that you are merely afraid of some psychic material that is more deeply buried.  It might not be possible to simply shed these thoughts, however it is possible to ignore them and let yourself continue writing.

Another ordinary subject so as to might consequence inside an intelligence of a blocked aptitude to inscribe is originating inside of what you are writing.  If you don’t believe what you write, it becomes a long, torturous process.  Invest the time to become completely truthful with yourself.  Is the topic something that really strikes a chord with you?  Are you writing on topics you believe others are interested in instead of what you believe in?  Are you subconsciously leaving out important elements of the story that are difficult to handle spiritually or emotionally?

An article is nice if it is straightforward.  You will find it much simpler to let the ideas flow when you are writing about something that is true to you.  Readers can distinguish someone who is fake, therefore to be an effective writer never try to con your audience!

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Jun 23

Most creative writers are so eager to sell their work that they don’t stop to consider what rights they are selling. “Rights” refers to how a publisher can use your work. “Rights” is not an indicator of how much you get paid or how you copyright your work.

Editors will usually buy First North American Serial Rights (FNASR). The purchaser can publish the story once in North America and the rights revert back to the author. When selling these rights to a magazine, put “Offering First North American Serial Rights” in the top left corner of your page.

One Time Serial Rights - If you are offering the rights for simultaneous submissions, put “One Time Serial Rights” in the top, left corner. This means the first buyer can publish your work just one time.

· Second Serial Rights - If you have previously sold the story or article, you will be offering Second Serial Rights to the next magazine. The can publish your work one time.

· All Rights - Unless someone is hiring you to develop a work for them, such as developing a course for a school, shudder at the sight of these rights. It means the purchaser now owns all rights to your document. You may never sell the work again, publish it, copy it, download it, or transfer it. Your rights are gone - period.

Work for Hire - This is another one to avoid. The only two ways that Work for Hire can exist is when you act as an independent contractor and you’re selling your rights, or someone pays you as an employee and you author your work during your work hours - which makes your boss the owner of that work.

· Non-Exclusive Rights - This one is not desirable either. The original buyer can continue using your work and reproducing it in syndication without sharing profits with you, but the rights will revert back to you after one year (and you can sell it again).

Exclusive Rights - If you sign away these rights, you just gave the farm away. Some places assume full rights when you submit your work - such as Associated Content. You will not be able to reproduce it or sell it again. Your document is gone. Ker-plunk! Down the toilet.

· One-time rights - You can sell one time rights simultaneously to as many people as you want. This is a common way to sell articles to multiple markets.

You may have noticed that there is only a whisker of difference between some of these. Hang onto this article and refer back to it before you sign anything!

There are many more types of rights as well, but this covers the most prominent ones.

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